[Excerpt]
This is the piano arrangement of the second movement of my orchestra piece T’ai-Jing and the Emperor.
Composer
[Excerpt]
This is the piano arrangement of the second movement of my orchestra piece T’ai-Jing and the Emperor.
Composed during my first year of residence in Eugene, Oregon, the first movement of this piece—Rain Cloud—reflects my impression of the Eugene climate. The second movement—Rumbling Thundering—is a memory I have of my home city Taipei.
[Excerpt]
Rollo’s Escalandé begins with a forceful arpegiating figure on piano followed by a disjointed flute melody. The opening scherzo dance-like flute motif emphasizes a discontiguous chromatic motion.
The middle section is built around a prominent tremolo figure that moves like countless bubbles through the ocean. Again, a flute line (first decending, then ascending) moves across the octaves as if floating on air.
The final section is constructed using block chords forming a three-part line. Each line enters at a different point in time, vying to overpower the others. Meanwhile, several motifs from the earlier sections return to join the conflict. Toward the end these three divergent sections align, resolving